...in some ancient layer of Malay beliefs before the introduction of Saivism, the white spirit of the sun, the black spirit of the moon, and the yellow spirit of sunset may have been important, seeing that they have Indonesian names (mambang), have been incorporated into the Malay's Hindu pantheon, and have survived under Islam as humble genies...
Tuesday, November 27, 2012
Genie of the Moon
Inspired by the description of the black genie of the moon in Shaman, Saiva and Sufi: A Study of the Evolution of Malay Magic by R. O. Winstedt:
Wednesday, October 17, 2012
Merfolk from Around the World

Been planning to do this Flash animation for a couple of years, and in fact conceptualized the mermaids series - Jengu, Duyung and Kadal Kanni - with the idea that they can blend into each other (hence the identical poses and similar compositions)
But after I first completed the illustrations, I postponed working on the animated presentation; I kept revisiting the illustrations, tweaking them and making enhancements over a period of time.
Finally decided to put illustrating on a hiatus and devote some time to this Actionscript 3.0 and timeline animation project. I'm pleased that it is finally done. Now I can reboot my brain and go back into illustrator mode. :-)
Thursday, August 30, 2012
Cliff houses from Africa, Asia and North America
As you can tell, I am fascinated by similar themes that occur across different cultures :-)
Guyaju
Country: China
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| Detail of Wikipedia image by JialangGao |
Bandiagara Escarpment
Country: Mali
Country: Mali
These cave dwellings and burial chambers were carved by the Tellem people prior to the arrival of the Dogon people in the 14th century. The Dogon ethnic group built villages along the walls of the cliff.
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| Detail of Wikipedia image by Pfctdayelise |
Guyaju
Country: China
Some archaeologists believe that these cave dwellings were built in the 7th-10th centuries by the Xi ethnic group as a refuge from the Liao Dynasty of the Khitan ethnic group.
Wednesday, July 18, 2012
The Djinni's Tune
Inspired by, but NOT claiming to be an accurate representation of, the story behind The River Tune from the album Segu Blue
by Bassekou Kouyate and Ngoni Ba.
According to the album literature, Bassekou Kouyate's ancestor, the griot Jelimusa Wulen Kouyate, met a djinni playing the ngoni on the bank of a branch of the Niger River. The griot asked the djinni for a gift: the instrument and the tune that the djinni was playing.
According to the album literature, Bassekou Kouyate's ancestor, the griot Jelimusa Wulen Kouyate, met a djinni playing the ngoni on the bank of a branch of the Niger River. The griot asked the djinni for a gift: the instrument and the tune that the djinni was playing.
Thursday, June 28, 2012
The supernatural adoptee in West African folklore
Those of you who have been reading the myths behind the last two illustrations probably noticed the similarities (and differences) between the story of the Pineapple Girl and the story of the Calabash Child. Both tales contain a childless couple, a magical child transmuted or transformed from plant material, a villain (or villains) who insults the child's non-human origins while the parents are away, setting off events that disrupt the once happy family.
While reading up on these two tales, I came across other West African folktales that have a similar theme.
Tuesday, May 29, 2012
Calabash Child
Inspired by, but not claiming to be an authentic representation of, the Igbo/Ibo folktale The Calabash Child, retold by Buchi Offodile in "The Orphan Girl and Other Stories, West African Folk Tales".
Synopsis:
Synopsis:
The diligent wife of a childless Igbo king (Eze) managed a farm. One day, she met a little girl among the calabashes that she cultivated. Before the queen's eyes, the child changed into a calabash and reverted back into human form. Delighted that her prayers for a child had been answered, the queen asked the child to accompany her back home. The child agreed on one condition: no one should ever call her a calabash child.
Sunday, April 29, 2012
2011 retrospective
I have been reworking some of last year's illustrations over the past few weeks. Some of the changes were relatively minor tweaks based on critiques for the recent Pineapple Girl and shapeshifting canid series. A shout out to the my fine artist and illustrator friends who took the time to make detailed observations, and provide thoughtful, useful comments. You are an awesome bunch. Thank you.
Most recently I finished updating the mermaids series. making enhancements to the color and shape design.
Most recently I finished updating the mermaids series. making enhancements to the color and shape design.
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| Latest version of Duyung |
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| Summer 2011 version |
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